
Inscription of Zuhayr
نقش زهير
Qāʿ al-Muʿtadil, near al-ʿUlā
A dated, digital corpus of Arabia's first Islamic-era rock inscriptions and funerary texts — beginning with the earliest known example, carved the year the caliph ʿUmar died, and continuing across the first Islamic century.
All fifty-five inscriptions of the catalog, spanning 24–100 AH, cut (or, in one case, painted) in the early Ḥijāzī, Makkī or Madanī hand of 1st-century Arabia.
Browse the corpus by what each inscription was written to say.
Research tools covering the whole corpus at once.
A project of the Quran Manuscripts Initiative
The Early Islamic Inscriptions Corpus is a project by Ahmed W. Shaker, carried out within the Quran Manuscripts Initiative (QMI). Begun in 2020, it gathers the Islamic inscriptions that carry a date written on the stone itself during the first Islamic century (24–100 AH), and presents them as an open, searchable research resource.
Each inscription is presented with its photograph, Arabic reading, English translation, commentary, and sources, alongside studies of dating methods, dotting, opening formulas, and historical context.
Grateful acknowledgement is made to the following, whose photographs, readings, and published work, much of it shared on X (formerly Twitter), this catalog has drawn on: ʿAlī ibn Aḥmad al-Shahrī · Frédéric Imbert · ʿAbdallāh Muṣliḥ al-Thumālī · ʿAbdallāh al-Numayrī · Al-Sahra Desert Survey Team · Muḥammad al-Mughadhdhawī · Mālik al-Sulaymī · ʿAbdallāh al-Balawī · Murtaḍā Julbākh · Aḥmad Bāṣawṭayn · M. S. M. Saifullah · Müfid Yüksel · Saʿd al-Tuwayjirī · Muḥammad ibn Shubayb al-Subayʿī · ʿAbdallāh ʿAbd al-ʿAzīz al-Saʿīd. Thanks are also due to the researchers, field explorers, and institutions whose discoveries and publications are cited with each inscription.
A digital catalog of 55 dated Islamic inscriptions of the first century AH (24–100 AH)

نقش زهير
Qāʿ al-Muʿtadil, near al-ʿUlā

نقش تأمير عثمان
Near al-ʿUlyā Palace, Mecca

نقش يزيد بن عبد الله السلولي
Wādī al-Khushaybah, Najrān region

شاهد قبر عبد الرحمن بن خير الحجري
Cairo/Aswan cemeteries (findspot); Museum of Islamic Art, Cairo

نقش عبد الرحمن بن خالد بن العاص
Wādī al-Shāmiyah (Ṣanq al-Zarqāʾ), ~45 km NE of Mecca

نقش شريح مولى بني عدي
Darb Ḥismā

نقش عبد الله بن ديرام
Wādī al-Sabīl

نقش حكيم بن علي
Wādī al-Khushanah, on Darb Zubaydah

نقش سد الطائف
Wādī Saysad, near Ṭāʾif

نقش حفنة الأبيض
Wādī al-Abyaḍ, near Karbalāʾ, Iraq

نقش عائشة
Umm al-Quṭayn, Jordan

كتابات قبة الصخرة (المثمن الداخلي)
Dome of the Rock, Jerusalem

كتابات قبة الصخرة (المثمن الخارجي)
Dome of the Rock, Jerusalem

الكتابات النحاسية لقبة الصخرة
Dome of the Rock, Jerusalem

نقش عمر بن طريف
Wādī al-Abyaḍ

نقش عمرو
Wādī Malkān

نقش الريان بن عبد الله
Ḥimā al-Numūr, Ṭāʾif

نقش ابن العاص
Qāʿ al-Muʿtadil, Darb al-Ḥajj

نقش الحارث بن المطلب
Medina

نقش الوليد بن معبد
Wādī al-Jalīl

نقش حبيب بن أبي حبيب
Qārat al-Ṣibgh

نقش ميمون مولى أبو مريم
Wādī al-Ṣānī

نقش بكر بن أبي بكرة
Darb Ḥismā

نقش عمير بن أبي مسلم
Wādī Malkān

نقش عثمان بن وهران الأول
Wādī al-ʿUsaylah

نقش عثمان بن وهران الثاني
Wādī al-ʿUsaylah

نقش عثمان بن وهران الثالث
Wādī al-ʿUsaylah

نقش قصر البرقع
Qāʿ al-Muʿtadil, Darb al-Ḥajj

نقش سهم مولى أبو زرعة
Unrecorded rock face

نقش عفير بن المضارب
Wādī al-Aqraʿ

نقش ابن أبي عريض
Wādī Abū ʿŪd

نقش تذكاري (سويد بن سمرة)
Jabal al-Safīnah

نقش عبد الله بن عمارة
Wādī al-Ḥurumān

نقش حكيم بن عمارة
Wādī al-Ḥurumān

نقش عبد الرحمن بن سفيان بن عمرو
Qāʿ al-Muʿtadil, Darb al-Ḥajj

نقش عبد الله بن سعد
Qāʿ al-Muʿtadil, Darb al-Ḥajj

نقش صبيح فتى رزيق
Ṭūr al-Qawwās

نقش مخلد بن أبي مخلد
Wādī al-Awjarīyah

نقش المغيرة بن عمر
Wādī Malkān

نقش قصر الخرّانة
Qaṣr al-Kharrānah, Jordan

نقش علي بن عبد الله
Jabal Usays, Syria

نقش فرقد بن نافع
Tabūk

نقش رباح بن حفص بن عاصم (الأول)
Rawāwah, Medina

نقش عمر بن عبد الله
Rawāwah, Medina

نقش محمد بن أبي طيبة الحمصي
North of al-ʿUlā

نقش أمية بن عبد الملك (الأول)
Wādī al-ʿUsaylah

نقش أمية بن عبد الملك (الثاني)
Wādī al-ʿUsaylah

نقش ثابت بن أبي تميم
Ghayl al-Minḍaj, Ẓahrān al-Janūb

نقش شعري
Wādī al-Ḥurumān

نقش تيماء
Taymāʾ, Tabūk

نقش عنزة الأزد
Wādī Abū Ṭāqah

نقش عبد الله بن أبي سعيد الأنصاري
Thulayth

نقش أبو سلمة
Rawāwah

نقش رباح بن حفص بن عاصم (الثاني)
Wādī al-Furaysh, Shuʿayb ʿUwayr

نقش عاصم بن عمر بن حفص
Waḥy al-Ḥijārah
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Terms used throughout this catalog's readings and commentary
Caliphs, Companions, scribes, and other individuals named across this catalog's 55 inscriptions
The ten inscriptions in this catalog that quote or echo the Qurʾān
Verses are listed in Qurʾanic (muṣḥaf) order, with the inscription(s) that quote each one noted alongside.
Most of the texts in this catalog were not commissioned by any state. They were left on the stone by ordinary people who stopped at a place and recorded their name, a prayer, and a date. Only a few are official or monumental — a dam, a building, a shrine, a gravestone. Read together, they offer a rare, first-hand picture of who was moving through Arabia and its neighbouring lands in the first Islamic century, and where they went.
Travellers. The largest group are people on the move: merchants, messengers, soldiers, and families crossing between Syria, the Ḥijāz, and Iraq. They wrote at halting places, near water, and on rock faces that caught the eye — often on the very same surfaces where others had written before them, so that a single rock can carry names from several decades.
Pilgrims. The roads to Mecca carried pilgrims every year, and several inscriptions say so directly, asking God to accept a pilgrimage or recording that a group performed it together.
Clients (mawālī). Many writers describe themselves as the client of a patron, a family, or a clan. Their texts show clients as literate and mobile, and careful to record both their own names and the bonds that tied them to others.
Households and tribes. Others belong to known families of the Ḥijāz — including descendants of Companions — or name their tribe and clan. Genealogies two, three, or four generations long are carved with evident care, and some texts speak for a whole group rather than one person.
Craftsmen, scribes, and poets. Occupations are rarely stated, which makes them precious when they are: a maker of jars, the builder of a dam and the man who composed its text, a son writing a prayer for his father, and one writer who left verse rather than a prayer.
Women. Women appear seldom, but they are present — named in prayers written for them.
Rulers. A smaller set of texts is official: foundation inscriptions for works built in a caliph's or prince's name, and the monumental inscriptions of the Dome of the Rock.
The landscape of the corpus is one of routes, wadis, and hills. Inscriptions cluster along the great roads — the Syrian pilgrim road, Darb Ḥismā, and Darb Zubaydah — and in the wadis around Mecca and Ṭāʾif, on the outskirts of Medina, and at sites in northern and southern Arabia. Beyond the Peninsula they reach Jerusalem, Jordan, Syria, Iraq, and Egypt. The choice of place was rarely random: a road junction, a well, a shaded rock, or a mountain pass was where people paused, and where the next traveller would see what they had written.
Every person, clan, tribe, and kunya actually named in these texts is listed, with links to the inscriptions, in the Index of Names.
These inscriptions were written before Arabic spelling was fixed by grammarians and before dots and vowel signs became standard. They preserve Arabic writing as it was actually practised in the first Islamic century: its letter shapes, its spelling habits, and the way scribes fitted words onto uneven stone. This page describes what the corpus shows; the individual commentaries note the details of each text.
Almost the whole corpus is written in the Ḥijāzī hand: a flowing, somewhat cursive script with an uneven baseline, letters of varying size, and tall uprights. It is the everyday writing of the Arabian Peninsula, used by travellers and residents alike. A few texts are classed more narrowly as Makkī (Meccan) or Madanī (Medinan) — local variants of the same tradition, such as the Qurʾanic inscriptions of ʿUthmān ibn Wahrān near Mecca and the inscription of al-Ḥārith ibn al-Muṭṭalib in Medina.
At the other end stands Kūfī: angular, regular, and monumental, suited to architecture rather than to a traveller's quick hand. Its clearest example here is the inner mosaic band of the Dome of the Rock (72 AH), while the gravestone of ʿAbd al-Raḥmān al-Ḥajarī (31 AH) already shows a more formal, early-Kūfī tendency.
Over the century, the hands grow more assured. Some later texts are laid out with real care — even spacing between words and lines, straight uprights, and decorative curves — as in the inscriptions of al-Mughīrah ibn ʿUmar and Farqad ibn Nāfiʿ.
Nearly all the texts are incised into rock. The exceptions are telling: a limestone gravestone, a painted prayer on a wall of Qaṣr al-Kharrānah, a copper band, and the gold-and-glass mosaic of the Dome of the Rock. The medium shaped the writing: a wall or a mosaic allowed long, regular lines; a boulder imposed its own shape on the text.
Most inscriptions are short. The typical text runs to three to six lines, and the median is five: a name, a prayer, and a date. The shortest is the inscription of Ṣabīḥ (90 AH) — just two lines, giving his name, his patron, and the year.
The longest are the two mosaic bands of the Dome of the Rock, each of 24 lines — official, architectural texts on a scale no traveller could match. Among rock inscriptions, the longest reach 13 lines: the prayer at Ḥafnat al-Abyaḍ in Iraq (64 AH) and the second, extended prayer of Rabāḥ ibn Ḥafṣ (100 AH). Length usually follows purpose: a signature is short, while a Qurʾanic quotation or an elaborate prayer spreads across the stone.
A scribe working on rock wrote until the usable surface ran out, then carried on at the start of the next line — even in the middle of a word. So a single word is often split between two lines. On the Ṭāʾif Dam the word اللهم is divided as ا / للهم; al-Mughīrah writes his own name as ا / لمغيرة; and in the inscription of ʿAbdallāh ibn Dīrām even the number forty is broken, وأر / بعين. These divisions follow the stone, not the grammar, and this catalog keeps them exactly as they appear, line by line.
The spelling of these texts often differs from later standard Arabic, in ways that recur across the corpus and match the consonantal spelling of early Qurʾān manuscripts:
Alongside these regular habits there are plain slips — a transposed letter in الملائكة, or a Qurʾanic verse quoted from memory with a word changed. They remind us that these were personal texts, written quickly and far from any teacher or copyist.
For the gradual appearance of dots and the marks used to distinguish letters, see Dotting and Vocalization.
Type an Arabic phrase and see it as the first-century scribes wrote it: without dots, on stone
The months named in the dated inscriptions
Thirteen inscriptions in the catalog name a Hijri month alongside the year. Six months occur. Several carry particular weight in the Islamic calendar: Muḥarram and Dhū al-Qaʿdah are among the sacred months in which fighting was forbidden. On how the inscriptions record their dates, see Dating Methods.
The opening formulas of an inscription are the quickest guide to what it is about. They reveal its subject, clarify its meaning, and place it in its historical setting. They also mirror the religious and social concerns of the communities that produced them, and the spiritual and cultural outlook of their day. The recurrence of the same phrases across many inscriptions shows how widely they were used, and in which settings — a commemorative record, a prayer, or the documentation of a particular person. The principal formulas are listed below, with the inscriptions in which each occurs.
The most common opening of all, in its short form “In the name of God” or its full form “In the name of God, the Merciful, the Compassionate.” It ties the act of writing to invocation and blessing, and its wide spread shows it was already a basic part of written culture.
Found in: no. 1, no. 4, no. 10, no. 12, no. 28, no. 34, no. 51, no. 52
The writer introduces himself — “I am so-and-so” or “and so-and-so wrote [this]” — whether to announce his role in carving the text, to record his presence at the place, or to authenticate what he wrote.
Found in: no. 1, no. 2, no. 6, no. 21, no. 22, no. 32, no. 39
Among the most frequent formulas: “O God, forgive…” expresses hope for divine pardon, especially in commemorative inscriptions, often as a prayer for the dead.
Found in: no. 7, no. 8, no. 9, no. 10, no. 19, no. 24, no. 36, no. 38, no. 50, no. 52
“O God, grant well-being…” asks for health and safety, in personal or commemorative settings.
“O God, be pleased with…” seeks God's contentment, usually in a devotional setting.
“[He] believed in God” — a formula of strong doctrinal weight, used to profess faith and God's oneness.
Found in: no. 18
“May God pardon…” asks forgiveness and indulgence, whether for the writer himself or for another person named in the text.
Found in: no. 20
The years between 24 and 100 AH saw profound change across Arabia, Syria, Egypt, Palestine, and Iraq. The inscriptions in this catalog were carved against this backdrop — and a few of them name the events of their day outright.
The period opens with the assassination of the caliph ʿUmar ibn al-Khaṭṭāb in 23 AH and the accession of ʿUthmān ibn ʿAffān in 24 AH. Both moments are recorded on stone by the same man: Zuhayr dated his first inscription “at the time ʿUmar died,” and his second “at the time ibn ʿAffān was appointed” — two primary witnesses, carved the year the events took place.
Political turmoil followed, ending in ʿUthmān's killing in Medina in 35 AH and the outbreak of the first civil war: the Battle of the Camel (36 AH), the Battle of Ṣiffīn (37 AH), the arbitration, and the emergence of the Khawārij in 38 AH. ʿAlī ibn Abī Ṭālib was killed in 40 AH, and in 41 AH Muʿāwiyah ibn Abī Sufyān took power in what became known as the Year of Unity (ʿĀm al-Jamāʿah). Seventeen years later, the Ṭāʾif Dam inscription (58 AH) names him directly as “ʿAbdallāh Muʿāwiyah, Commander of the Faithful.”
From 41 AH Damascus served as the capital of the Umayyad state, and grew into an administrative and architectural centre for decades. The conquests continued east and west: the whole of Persia by 50 AH, Khurāsān and Transoxiana by 80 AH, and North Africa by 89 AH. An inscription on Darb Ḥismā, outside this catalog, is dated to “the year of Ifrīqiyah” — a campaign remembered well enough to name a year by (see Dating Methods). Within the catalog, the inscription of Ibn al-ʿĀṣ (78 AH) names its party as “people of Qinnasrīn,” one of the garrison districts of northern Syria.
In Iraq, new cities were founded to anchor Muslim rule: Baṣra in 14 AH and Kūfa in 17 AH, which grew into military, administrative, and scholarly centres. In 83 AH al-Ḥajjāj ibn Yūsuf al-Thaqafī founded Wāsiṭ as an administrative and military base for controlling the province. The catalog's one Iraqi entry, the Ḥafnat al-Abyaḍ inscription west of Karbalāʾ, is dated Shawwāl 64 AH — the very year of Ibn al-Zubayr's revolt.
In 78 AH the caliph ʿAbd al-Malik ibn Marwān ordered the state registers (dīwāns) to be kept in Arabic in place of Persian and Greek, unifying the administration and establishing Arabic as the official language of government and commerce. In 77 AH he had issued the first independent Islamic coinage. The same year of 78 AH is recorded in the inscription of al-Rayyān ibn ʿAbdallāh, dated “the year the Sacred Mosque was built.”
In 25 AH the caliph ʿUthmān ordered the Qurʾān compiled into a single codex, with copies sent to the garrison cities and a unified orthography to preserve a single reading among Muslims. Later in the Umayyad period, toward the end of the first century, the codex was dotted under the direction of al-Ḥajjāj ibn Yūsuf, supervised by a group of scholars, to ease reading and prevent errors in recitation (see Dotting and Vocalization). Ten inscriptions in this catalog quote or echo the Qurʾān (see Qurʾanic Quotations).
The era saw major building works. ʿAbdallāh ibn al-Zubayr enlarged the Sacred Mosque in Mecca in 65 AH; al-Walīd ibn ʿAbd al-Malik later enlarged the Prophet's Mosque in Medina between 88 and 91 AH, incorporating the Prophet's chambers and lavish materials, and enlarged the Sacred Mosque as well. In 72 AH ʿAbd al-Malik ordered the Dome of the Rock built in Jerusalem — its inscriptions appear in this catalog as nos. 12, 13 and 14 — and in 87 AH the Umayyad Mosque of Damascus was built. On a smaller scale, the Qaṣr al-Burquʿ inscription (81 AH) records houses built by “the amīr al-Walīd, son of the Commander of the Faithful.”
The period was also marked by revolt: the rising of ʿAbdallāh ibn al-Zubayr in Mecca (64–73 AH), Khārijite movements, Shīʿī uprisings against Umayyad rule, and tribal rivalry between Qays and Yaman in Iraq.
Muslim rule over Palestine and Egypt was consolidated with stronger administrative and fiscal systems. Jerusalem became a major religious centre after the building of the Dome of the Rock, while Egypt developed into an important naval base defending Muslim coasts against Byzantine attack, with growing trade and agriculture. The gravestone of ʿAbd al-Raḥmān ibn Khayr al-Ḥajarī (31 AH), found among material from the cemeteries of Cairo and Aswān, is the catalog's witness from Egypt.
This was a decisive period in the consolidation and expansion of the Islamic state. Despite its political and military challenges, it shaped early Islamic identity and left a rich legacy — not least in the inscriptions, linguistic developments, and buildings that recorded these transformations.
Islamic tradition reports that the first ʿUthmānic codices of the Qurʾān were written without dots (naqṭ) or vowel marks (shakl), and that dots were later added to tāʾ and yāʾ — “there is no harm in it,” it was said, “it is a light for it.” This suggests that Arabic writing adopted letter-dotting gradually after the spread of Islam, not all at once. The documents of the first Islamic century — Qurʾānic manuscripts, inscriptions, and papyri alike — bear this out: dots appear on some letters, at the writer's discretion.
The scribes of the rock inscriptions used round dots to distinguish letters that share the same base shape — bāʾ, tāʾ, and thāʾ, for instance. Yet they did not dot every letter of a shared shape. Often a scribe dots a letter once and then leaves the same letter undotted elsewhere in the text; there is no consistent rule. The choice was the writer's: to dot one letter, a group of letters, or none at all.
The likely reasons are two. Dotting was not yet widespread or standardized at this early stage of Arabic script; and commemorative graffiti left by travellers along the old routes had little need for it — these were personal texts, where a misreading carried no consequence. Today we sometimes struggle to fix the exact form of names and titles in these inscriptions precisely because they lack dots and vowels. Their original readers did not: they stood far closer in time to the people and events recorded, relied on hearing, memory, and oral transmission, and knew their own genealogies and tribes by instinct.
A telling example comes from the Ṭāʾif Dam inscription (58 AH): the scribe dots the yāʾ of معوية (Muʿāwiyah) in the first line, then writes the same name again in the fourth line with no dots at all.
Alongside round dots, a second dotting style appears in the Dome of the Rock inscriptions (72 AH): short, slightly slanted strokes. Bāʾ takes one short stroke below, tāʾ two above, thāʾ three above, and shīn three slanted strokes, one for each of its teeth — and so on for the other letters.
The system is distinctive in marking qāf with a single dot below. Later Maghribī practice dots fāʾ with one dot below and Mashriqī practice with one dot above; this early system differs from both. As far as is known, qāf dotted below occurs only in early material documents: the Dome of the Rock inscriptions and a handful of rock inscriptions. The slanted-stroke method itself is also attested on the milestones erected by order of the caliph ʿAbd al-Malik ibn Marwān, and in a number of early Qurʾān manuscripts on parchment.
The following dated inscriptions of the first century in this catalog show dotted letters:
Every inscription in this catalog is dated by the Hijri calendar: a purely lunar calendar whose era begins with the year the Prophet emigrated from Mecca to Medina. Islamic sources credit the caliph ʿUmar ibn al-Khaṭṭāb with adopting it as the official reckoning of the state in 17 AH, after consulting the Companions. They settled on Muḥarram as the first month of the year — although the Hijrah itself took place in Rabīʿ al-Awwal — since it is the first lunar month after the close of the pilgrimage season. The earliest known document dated by the Hijri era is an administrative papyrus of the year 22 AH, preserved in the Archduke Rainer collection in Vienna (PERF 558).
Pre-Islamic Arabia knew several ways of fixing a date. Some of them survive in the early Islamic inscriptions; one became the norm.
Years were named after well-known episodes: the Day of al-Fijār, the Pact of the Virtuous (Ḥilf al-Fuḍūl), the Year of the Elephant, the Year of Ashes (ʿĀm al-Ramādah), or the battles between al-Aws and al-Khazraj. The practice continues in early Islamic rock inscriptions — an inscription on Darb Ḥismā in northwestern Saudi Arabia, outside this catalog, reads: “I am ʿAmr ibn Rabīʿah al-Thaqafī, and I wrote this in the year of Ifrīqiyah.”
Arabs dated by the death of Hishām ibn al-Mughīrah, the year of ʿAmr ibn Rabīʿah's leadership, or the death of Kaʿb ibn Luʾayy. The same method appears in the catalog's earliest entry, the inscription of Zuhayr (24 AH): “I am Zuhayr, I wrote at the time ʿUmar died.”
The Nabataeans dated by the regnal years of their kings, written out in words — for example, “in the fourth year of the reign of Ḥārithah IV.”
Several Arabic inscriptions written in Nabataean script, from northern Arabia and the fringes of Syria, use the era of the Roman province of Arabia, reckoned from Bostra: the Namārah inscription (223 of that era = 328 CE), the Jabal Usays inscription (423 = 528 CE), and the Ḥarrān inscription (462 = 568 CE).
This is the method used across the inscriptions in this catalog. The scribe spells out the year in words, beginning with the units, then the tens, then the hundreds — for example, “written in the year eight and fifty and one hundred” = 158 AH. The same ones-before-tens order explains why many English translations in this catalog read “the year four and twenty” rather than “twenty-four.”
A handful of first-century inscriptions join the two approaches — naming a historical event and writing out the year:
Thirteen inscriptions name a Hijri month alongside the year. For the months and the inscriptions in which each occurs, see the Index of Hijri Months.
Chronicles and biographical dictionaries record the first Islamic century decades, sometimes centuries, after the events they describe, filtered through generations of oral transmission and later editorial hands. A rock inscription is different: it is a document contemporary with the moment it records, carved by someone who was there, in the very year — sometimes the very month — it claims. When a scribe writes “the year ʿUmar died” or “the year the Sacred Mosque was rebuilt,” that phrase is itself a primary historical witness, older than any surviving manuscript of the histories that later described the same events.
This catalog gathers 55 dated Islamic inscriptions from the first Islamic century (24–100 AH), drawn from Arabia’s Ḥijāz, the Levant, Jordan, and Iraq. They range from a three-word rock inscription to an eleven-line painted prayer, cut in four related but distinct hands: Ḥijāzī, Kūfī, Makkī, and Madanī. Each entry carries a date physically inscribed on the object itself — not an estimate, not a stylistic guess, but a year the scribe wrote down.
Many of these texts predate the diacritical dots and vowel marks that later stabilized Arabic spelling. Scribes dropped medial and final alifs, spelled feminine endings with an open tāʾ, and sometimes split a single word across two carved lines when the rock ran out of space. These are not errors to correct silently — they are a working record of how Arabic script was still settling into its classical form, and this catalog flags them wherever they appear rather than smoothing them away.
Where a name or word is damaged, reconstructed, or read differently by different scholars, this catalog marks it in brackets rather than presenting a single confident reading as fact. A gap the editor could not fill is left as a gap. Where the Arabic line breaks fall mid-word, the English translation preserves that same order rather than the more natural English word order, so a researcher comparing the two can follow the physical inscription line by line.
Browse chronologically from the timeline, by theme through the topic filters, or search directly. Cross-referencing tools sit under Reference: an Index of Names for every historical figure actually named in a text, a Glossary of recurring terms, a page on the dating methods the scribes used, and a page collecting the ten inscriptions that quote or echo the Qurʾān.
This is a working catalog, not a finished monument — corrections and new discoveries will continue to be added.